Malykhai the Terror Bear
A friend of mine runs a Twitch channel and requested this image as part of his branding campaign. It was SO much fun to work on, and I even learned a new trick to make the fur. :3
From Concept to 3D
This one is a Photoshop composite of Rigel's 3D model, a newer version of the space background I created for another painting, and a totally new digital painting of Rigel.
Lion Cub Tattoo
This was a commission for a friend, who wanted a lion cub with blue roses to go over her heart. The overall design was left up to me, and I decided on a running cub to create something dynamic (and also because it's kinda cute to have a little cub always "running" through her heart. :P)
Envy
This was a personal project based on the Seven Deadly Sins from Fullmetal Alchemist (personifications of the seven deadly sins). Of the seven, the one I struggle with the most is Envy, so I chose to create a stylized self-portrait depicting myself transforming into Envy (or is it the other way around...?)
Tidus' Birdy Bloodlust
This was an odd commission request from a friend (mostly in jest, but I took her up on it anyway). If you’ve played the Chocobo racing game in Final Fantasy X or watched someone else play it, you probably understand the sentiment here. I took the opportunity to experiment with a new method of choosing a color palette in Photoshop and to practice inventing lighting.
Space-boarder Gideon
For this piece, I rendered one of my 3D characters with Maya, then utilized Photoshop to paint him and composite the render with the environment. Gideon was featured on my senior show poster.
Backstreet Rangers:
Nick Carter seemed to like this one...heehee. My inner 90s fanboy is screaming.
Practice Exercises
This was a simple study exercise to get used to using Photoshop to paint. I chose to reference two simple still life paintings by Carol Marine. This was my first try at using the Mixer Brush.
Original by Carol Marine
Digital copy
Original by Carol Marine
Digital copy
Movement
The purpose of this composition is to show movement. While Gurren Lagann was incredibly fun to draw, I decided to base the final piece on a series of photographs my friend took of me goofing off in the park.
Gurren Lagann... Glorious Diligence Practice UPPERCUT!!!
Sketch
A start on the mega composition with a limited color palette selected from the photographs
Cropped due to time constraints
Added more interesting lighting
Filling in the details and lighting
The Fate of Billions
This is an interior vs. exterior composition based around the Golden Mean. For the subject matter, I chose to portray a young Emperor Kaden (an original character from my story, Lost Past) in his mediation space contemplating the fate of the planetary system he must rule over.
This was my first time actually painting space (and it was incredibly fun! XD). I decided to create it on a huge canvas (over 8000 pixels wide at a resolution of 300) and I really want to print this on something enormous.
So lonely...
A detail piece at 100% zoom (to get an idea of the actual size)
100% Zoom
Locked In With the Key 
This is a very personal piece for me. I see it as an illustration of self-imposed social anxiety and I wanted to show how it feels to keep your emotions and your true self locked away from the world so tightly that even the people you love can't quite reach you.

This version was printed, sealed with acrylic matte medium, and finished with oils.
The final painting. Printed on Pura Smooth art paper, sealed with matte medium, and painted and glazed with oils.
Are you ever going to tell me...?
 The concept of this was to portray a dialogue. I took the opportunity to explore Aspectors some more by illustrating Ace and his guardian, Aito. Ace asks him, "Are you ever going to tell me what comes next? After this life, I mean..." As always, Aito's response is to be cheerfully cryptic.

This is the version that was printed and painted on. The final painting will be photographed and added at a later date.

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